photographer « Jurgen Doom

Brother …

28 August 2012 om 14:11 door Jürgen geplaatst in de categorie photographer,Photography

My brother, shot during a portrait session for which he was just standing in to test the light …

 

Brother

Helsinki

18 June 2012 om 10:37 door Jürgen geplaatst in de categorie photographer,Photography

Helsinki

 

Helsinki

 

Helsinki

I went to Helsinki recently to do a film assignment for a company, but I had a bit of spare time in which I took a few shots of Helsinki’s stunning architecture. Herewith a few impressions.

 

Helsinki

 

 

Antwerp – city scape by night

29 March 2012 om 09:36 door Jürgen geplaatst in de categorie photographer

A view of Antwerp from “linkeroever”, with the Schelde and the rising moon …. a city scape of Antwerp by night.

 

Antwerp by night.

Tintin in the “MOOF”

om 09:10 door Jürgen geplaatst in de categorie photographer

For an assignment I had to photograph this original figurine of Tintin in the “MOOF” (Museum of original figurines) in Brussels, Horta Galerij. The figurine shown is unique, big and beautiful.

 

Tintin in MOOF

Portrait photos for profile image on social media

8 September 2011 om 10:06 door Jürgen geplaatst in de categorie Camera,Flashlight,fotografie,photographer,Photography,Portrait,strobist,Studio

I have recently written a blog post about the quality of profile photographs for LinkedIn, Facebook and Twitter.  You can find it here.

Recently I was contacted via the contact page of my website by …. my spouse! She asked me if she could make an appointment for a portrait session in order to get photographs for social media.  Since my wife has access to my calender, she proposed a day and time I was available.  So there was no possible escape for me … !  Photographing people who are close to you is even more difficult than photographing people who are not in your circle of relatives and friends …

Nonetheless, herewith a selection of images, shot on Nikon D3, 85mm 1.4 at f/4, 1/250.  I used 3 flashes (Nikon SB900) using Nikon’s CLS system.

 

Portrait and profile photograph for social network sites
Portrait and profile photo for social media
Portrait and profile photo for social media

 

From workshop model to cover girl – it’s just a small flash away …

6 September 2011 om 10:57 door Jürgen geplaatst in de categorie cover,fashion,fashion photography,Flashlight,fotografie,photographer,Photography,strobist,workshop,workshop fotografie

From model to cover, it sounds just like the title of a new workshop.  Well, it was during a Strobist workshop – a workshop on flash photography with small, portably reportage flashes – that this image was created.

After the participants had asked me a lot about how to get a white background white, or how to get it black, I asked our model Shauni if she could pose for me for a few minutes.

I had placed 2 small flashes – Nikon SB900 – on either side of Shauni, using umbrellas and triggered boths flashes with Nikons CLS-system.  The only thing I added to the creative mix was a silver reflector to throw the light back at Shauni, in order to create soft, beautiful light (which she deserves).

The result is as can be seen on the cover of Shoot magazine. In this particular issue, which is on-sale in Belgium from now on, I have written an article – together with Piet Van den Eynde, colleague and partner in crime for the flash workshops – about the Nikon CLS – system.

Anyhow, this is the result as it appears on the cover of the magazine.

 

Cover for Shoot magazine, shot during a workshop on flash photography

 

And that’s how a model for a workshop can end up as a model of the cover of a photography magazine.  Thanks Shauni!

 

Real estate photographer in Belgium.

It’s a tough life for any real estate photographer in Belgium.  Have you ever checked the photography on a Belgian real estate website already?  Apalling, to say the least.  That’s because people in Belgium don’t understand the importance of marketing and the power of images and photography.  The general idea in Belgium is that you’d rather do it yourself and not spend any money on it.  Consequently, the photography on the websites doesn’t show the full potential of the place you’re trying to sell, so you’re not getting the attention the place deserves and in doing so, you potentially loose a lot of money on the sale afterwards (which would make up for the cost of a photographer).  Why people do this really beats me.  I’ve written it down in this blogpost, where one sees the “before” and “after” of a house that went up for sale at at much higher price than initially planned – and was consequently sold at that price because it drew a large crowd of people coming to have a look at it.

Nevertheless, there are still people who see the value in real estate photography.  Notary/solicitor De Jonghe from Ostend contacted me in order to photograph an Irish Pub with hotel right in the heart of the city.  So I went down to the “Celtic Ireland” in the Langestraat in Ostend to photograph the interior of the pub and the hotel.

Amongst the most important parts of a pub the counter for sure is one.  In this Irish pub the counter was a beautiful but humongous one that had to be lit in a professional way.

So, by just using available light, this is what showed up on my screen – an underexposed image with a few spots of light.

vastgoedfotografie
vastgoedfotografie

By adapting my shutter speed I tried to draw-in more available light in order to establish my basic exposure.

vastgoedfotografie
vastgoedfotografie

Lastly, I placed a few flashes (type Nikon SB900 speedlights), in order to open up the dark areas in the scene, thereby creating a warm atmosphere.

vastgoedfotografie
vastgoedfotografie

The same technique was used to light a part of the pub with very little available light.  The first (mainly backlit) shot shows a rather dull image.

vastgoedfotografie
vastgoedfotografie

But with the use of carefully placed speedlights (there are 4 in this particular image) you can create a much more interesting photograph.

vastgoedfotografie
vastgoedfotografie

All the above images have been made and post-processed without the use of Photoshop.  But sometimes it just is too difficult to get the image right in one shot, especially when you’re working within time constraints and with limitations of gear. I usually carry about 4 to 5 flashes around, but for this particular shot it would have been very time consuming and technically not so easy to create the image in-camera.  So I opted for the photoshop route. That meant that I had to shoot the overhead stained glass – which was much brighter than the interiour – seperately from the interor and then ultimately combine both images in photoshop to create the final image.

vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie – finale foto

Lastly, I’m posting a few extra shots of the interior.  If you’re interested, the place is up for sale and will be sold on the first of June 2011 in Ostend.

vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie
vastgoedfotografie

Al images are made with Nikon D3s and a Nikon 24mm PC (Tilt-Shift) lens.  The flashes (Nikon SB900) are used through the Nikon CLS system.

In a next blog post I will show the hotel rooms.

Fashion photography for Sonja Sonneville

7 April 2011 om 11:35 door Jürgen geplaatst in de categorie corporate photography,fashion,fashion photography,fotografie,photographer,Photography

Sonja Sonneville is a trendy fashion store in the vicinity of Leuven (Holsbeek).

Twice a year they need to have the new collection photographed (summer and winter).  So, a while ago – on a wet and windy autumn day – we photographed their new summer collection, which is now available in the shop.  So with summer approaching, it might be a good idea to go and have a look at their stunning collection.

We photographed the summer collection on location, in their shop.  In order to do so we created  a studio, complete with seemless white background, Elinchrom studio lights with beauty dish and striplights as well as small reportage flashes (type Nikon SB 900).  Ans Brugmans was our make-up artist and the model of the day was Carla Sonneville.

The images were needed primarily for their website and small catalog that they publish.  The images didn’t need to be cut out of the background, as the layout guy of the catalog would introduce backgrounds and colors himself.

You can see the images on their website here. And here are some of the 30 odd silhouettes that we photographed during the day ….

modefotografie sonja sonneville
modefotografie sonja sonneville
modefotografie sonja sonnevill
modefotografie sonja sonneville
modefotografie sonja sonnevill
modefotografie sonja sonneville
modefotografie sonja sonnevill
modefotografie sonja sonneville
modefotografie sonja sonneville
modefotografie sonja sonneville
modefotografie sonja sonneville
modefotografie sonja sonneville
modefotografie sonja sonneville
modefotografie sonja sonneville

Corporate photography – or how to make photos to meet your clients needs

4 March 2011 om 14:47 door Jürgen geplaatst in de categorie advertising,Commercial,corporate photography,Flashlight,photographer,Photography

As a corporate photographer, specialising in business to business photography, you need to be able to produce photographs that meet your clients needs.

In this particular case, the people at bakker asked me to come up with a series of photos for their new website.  They had photographs on their old website, but those were stock images bought from an image bank.  They wanted the same look and feel of what they had on their old site, but instead of “generic” photos of models, they wanted to use their own people (in fact, the staff and partners).

So what the client basically wanted was to have images that were fairly evenly lit, with relatively clean backgrounds that breath professionalism.  All the shots were to be made at their offices in Antwerp.

I had Ans Brugmans with me as my make-up artist and Jasmijn assisted me with the photography and lighting.

During the course of the day, we did about 8 completely different setups, having to change the lighting each and every time. Within each setup there was often room to move around and play with different compositions.

I used my studio lighting (Elinchrom RX600) in conjunction with my small portable Nikon SB900 strobes in order to create the look we wanted.  All images are photographed on a Nikon D3s.  During the day I only used 2 prime lenses.  One was a Nikon 50mm f/1.4 lens and the other was a Nikon 85mm f/1.4 lens).  I prefer to work with prime lenses over zoom lenses because it is sharper, has a higher contrast and is generally much lighter than have zooms.  On an assignement like this there is no need to work with zoom lenses as you have both your lighting and setup under control.  Framing the image is just a matter of moving forwards or backwards in order to compose your image.

Of course, all images were photographer in the RAW format and post processed through Adobe Lightroom.

The images are now used on their site, which looks like this (at www.bakker.be) and which looks stunning (see screenshots below).  Website made by Van Katoen (Damien Dubois).

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Corporate photography for bakker.be

Model photography – shoot with Sylviane Alliet – last setup

3 February 2011 om 10:54 door Jürgen geplaatst in de categorie Flashlight,fotografie,photographer,Photography,Portrait

To end the shoot with Sylviane Alliet, a TFCD project in which we took a number of types of pictures we wanted to make  but that we can not always do so when working for an assignment, we we decided to end the day with some images that had a rougher look.

Therefore we went to the “basement” – yes, I can say that I spent some time in the basement with Sylviane – to find a background that matched the character role that Sylviane was playing.

The “industrial background” is illuminated with a Nikon SB900 flash with a CTB filter (to get a cooler atmosphere), while Sylviane was lit by a Nikon SB900 through an umbrella.  If I’m not mistaken, I even made it a little warmer with a quarter CTO. Sylviane is also lit from behind, to create some backlight. The result is shown below.

What have we finally learned from this and previous shoots.

1. that it is possible to use a backpack of equipment (Nikon D3s, 4 SB900 flashes, stands, umbrellas and gels) at a location and still get different setups that are fundamentally different

2. that working with a professional model is just fantastic

3.that  you do not need much material to make different kind of images

4. that occasionally doing a TFCD is great fun in order to try a few things with or without great results

At the end of the day both Sylviane and I were ready for the scrap heap, but we were pretty happy with the cooperation and results. There are now plans to do something similar, but in an outdoor location …. and I am already looking forward to it!

model photography
model fotografie – shoot met Sylviane
model fotografie - shoot met Sylviane
model fotografie – shoot met Sylviane
model fotografie - shoot met Sylviane

model fotografie - shoot met Sylviane
model fotografie – shoot met Sylviane