As an advertising photographer, creating images for clients that will make their products look good, I try to be creative with my photography and my gear. Let’s look at an example.
Image of a gymnast.
Imagine a huge indoor sports hall. Imagine the yellow/green illumination these sports halls typically have and that cast an “ugly” type of light on the subjects (which you don’t want, you want your subject to look good). Imagine the cluttered background one usually gets in such sport halls, which will destroy the impact of the image ……
Situation - available light.
As a photographer I try to overcome problems – let’ call them challenges – instead of creating them.
When I had to photograph a young sportster, doing all sorts of neck-braking, leg-twisting, arm-bending exercices on a gym device, I had to be creative to get a shot of it that could be used as a double spread in the brochure.
Firstly, I figured I wanted to eliminate the natural lighting of the sports hall. Using a shutter speed of 1/250th at ISO 100 on a Nikon D3x (24Mpix) was good enough at f 4 to eliminate the ambiant light. That means, if you would not use flash, you would end up with a dark (black) image at these settings.
Next step was to bring in the Nikon SB900 speedlights. I used 3 of them. The main flash comes from directly above me (on-axis with the lens) but shot through a softbox in order to soften the light. It provides the main light for the subject, but because we are working very close to the subject and far away from the background, that light doesn’t reach the background, so it remains black (or under exposed).
The last step was to position two SB900 speedlights behind the subject, at either side of the girl, and aimed towards her. Those light provide the rim lighting, which make her stand out from the background even more.
The image was ultimately used as a double spread in the SPORTA brochure as shown above.
All shots were taken on the Nikon D3x, using a 85mm f1.4 lens and using the Nikon CLS lighting system.
Alternative image of the gymnast.
Nikon CLS system is a fantastic system to work on-location. It’s versatile, works well, easy to handle and learn and enables a photographer to be very flexible in his work and quickly adapt to different situations and lighting conditions. I use it all the time in my photography.
If you want to learn it as well, I run workshops on photography and flash photograph (also for users of other brands).
More to come,
Jürgen
