freelance fotograaf « Jurgen Doom

Photography for “Sporta centrumbrochure”

13 September 2010 om 14:37 door Jürgen geplaatst in de categorie Commercial,Flashlight

As a photographer, specialising in high-end corporate photography, I was commissioned by Sporta to photograph their new brochure.  The assignement was very broad, because I had to photograph sporters, but also their accommodation and training facilities at their sports centre in Tongerlo, Belgium.

One of the images we did was of an athlete who was busy training on the athletic track.  We wanted a high-impact image that could run as a double spread in the brochure.

The final result is the image below.  It was shot during a sunny day, but by adjusting the lighting, using 2 Nikon SB 900’s flashes and little post-production in lightroom, we created this image (shot on Nikon D3x).  The hardest part of the image was to direct the athlete to be at the right place in the right position.

Double spread for Sporta Centrumbrochure

Double spread for Sporta Centrumbrochure

Brico Cover – Pirate meets Princess meets Photographer

2 August 2010 om 14:49 door Jürgen geplaatst in de categorie Camera,Commercial,Photography,Uncategorized

Photography is an expensive occupation.  Children are expensive too.  A combination of being a “photographer with children” is hugely expensive ….

But sometimes the two come together and work well for each other.  Like that one time when I had to photograph the cover of Brico magazine, a 3-monthly that DIY-hardware store Brico publishes.

The ad-agency asked me if I could help finding children between 5 and 8 for an article about a grandfather who had build a “hut” up in a tree for his grand childrren.  Ideally they would be dressed like a pirate, a princess, a “what-have-you” “you-name-it” ….

Myrte, my daughter of 7, just loves getting dressed as a princess and for Johannes, my 5 year old boy, being a pirate comes second nature to him.

And so it happened that they finally figured on the cover of a magazine. Mind you, for Johannes it was already his second appearance on the cover of a magazine.  The first time was when he was about 3 months old.  But the money I made with that cover has long been blown on nappies, etc …. So it was time to top up on some “money credits” ….

Cover of Brico magazine, featuring my two kids.

Cover of Brico magazine, featuring my two kids.

This image was photographed on a Nikon D3x and a 24-70mm 2.8, ISO200, F5.6 at 1/100.  We used one SB900 speedlight (which we litteraly had to hang in a tree in order to get the right angle), gelled with a full cut CTO gel and complemented the lighting with a golden reflector.  The flash was triggered through Nikon’s CLS system.

This image is half of a double spread that ran in the inner pages of the magazine.

This image is half of a double spread that ran in the inner pages of the magazine.

So finally I’ve been able to use them to make me some money, instead of costing me money.  But hey, that money has already been spent …. on a new princess and pirate outfit!

Images that sell – stock photography.

6 May 2010 om 10:46 door Jürgen geplaatst in de categorie Commercial

As photographers we all want to photograph “images that sell”.

Most of the times, we are comissioned by advertising agencies, businesses and magazines to photograph – or to produce images – that help sell the magazines, the business, etc ….. We photograph what the client wants to see photographed, because it will promote “its cause”.

It’s a little different when you, as a photographer, decide to go out on your own, choose your own subjects and photograph without any limits our boundaries set by your clients.  These images are than aimed at photo libraries, who will try to sell your images.  They’ll typically take a comission in return of doing the marketing for you, as well as the following up, the admin, … in short, the whole works.

There are some big players like Corbis and Getty, but you can also find images at istock, microstock, etc ….

Problem is, you need to get your photographs in the library (they don’t always except just whatever you provide them with) and you’re “competing” with so many other photographers in all those libraries, making it uncertain whether your investment of time and effort in making the photographs will ever pay off.

I don’t often go out to photograph randomly, except for a few times where I will first talk to my clients (mainly in health care) to listen to what they need. That’s why I went in 2007 to spend 2 days in a hospital, photographing all sorts of situations and setups.  These images are now on the desks of a few picture editors, and whenever they need an image of a hospital, a doctor, a nurse, an empty hospital bed, an operation room, a scanner, etc …. they can turn to my images and use them.

Stock photography, image of an operation room in a hospital.

Stock photography, image of an operation room in a hospital.

I didn’t initially get paid for making those images, but every time an image gets publisched, I can invoice that image.  Time and time again.  In fact, I grant them the licence to publish the image.

So, after 3 years of having those images published in various magazines, it’s defenitaly “paying of” and it will continue to do so for as long as these images continue to sell ….

Image at an operation room in a hospital, stock photography.

Image at an operation room in a hospital, stock photography.

Foto’s die verkopen ….

Dromen we daar allemaal niet van?

De meeste fotografen werken in opdracht van een tijdschrift, een reclamebureau, een bedrijf …. De fotograaf wordt gevraagd om bepaalde beelden te maken die het bedrijf kunnen vooruit helpen.

Het tegenovergestelde daarvan is wat men “stock fotografie” noemt. Daar ga je als fotograaf zelf je onderwerpen bepalen om daar dan beelden van te maken. Die beelden bied je dan aan aan “fototheken”, bibliotheken als het ware die foto’s “uitlenen” tegen een vergoeding. Getty en Corbis, istock, microstock, etc … schieten me onmiddellijk te binnen, maar je hebt er veel meer.

Ik heb ooit nog mijn beelden in het nu ter ziele gegaan iAfrika photo library gestoken. Maar ik woonde toen in Zuid-Afrika, en het was gewoon een stuk eenvoudiger om via een Zuid-Afrikaanse photo library te werken.

Tegenwoordig maak ik nog maar uiterst weinig “stock” beelden. Heel af en toe, wanneer ik het eens goed plan en organiseer, maak ik nog eens wat beelden voor een aantal klanten, voornamelijk in de medische sektor.

Zo heb ik in 2007 eens 2 dagen in een ziekenhuis beelden gemaakt, die sindsdien op een drietal redacties zitten van tijdschriften in de medische sector. De beelden ben ik toen op mijn eigen “kosten” gaan maken, ik heb ze aangeboden aan de verschillende redacties (zonder vergoeding te krijgen), maar sindsdien worden er op regelmatige tijdstippen foto’s uit gebruikt en gepubliceerd die ik telkenmale weer kan faktureren.

Het is in zekere zin “gemakkelijk” geld, maar als je beseft hoeveel tijd je er initieel hebt in gestoken, welk werk, risico, planning en moeite er is in gekropen om die beelden te maken zonder de zekerheid om ooit 1 euro er uit te krijgen, dan valt het adjecteif “gemakkelijk” al snel weg.

Nu, zo’n drie jaar na het maken van die foto’s begin ik er geld aan te verdienen, en hopelijk worden ze nog een tijdje “gerecycleerd”. En al die tijd zijn het “foto’s die verkopen” ….

What do photographers earn?

29 April 2010 om 14:46 door Jürgen geplaatst in de categorie Commercial,Flashlight,Portrait

What do you earn as a photographer?

Well, that depends upon the angle you look at it.

As a freelancer, earning a living out of making photographs, I would welcome Euros, Dollars, Pounds and even Yenn or Ruble would do, thank you.

As an amateur, you’re probably very happy with any kind of publication in virtually any type of magazine in return of credits (which is, believe me, nothing to impress your bank manager when it comes to paying your mortgage)

Or for the aspiring photographer, you may well be happy with any kind of encouragement, friendly words or pat-on-the-back type thing.

Well, let me tell you, I was recently comissioned to photograph the person in charge of a company that imports grape fruit.  After it had taken me quite some effort to convince the person that I was there to photograph him – and not the stacks of grape fruit in the depot – he finally started to co-operate.  I set up two stands with a Nikon SB900 speedlight, triggered with Nikon CLS system (on-camera speedlight on a D3s).   I underexposed the atmosphere in the depot, because it had the horrible neon -fluorescent lights which turns everything – and everyone – green.  Not something to brag about.   I had one light – standing at the far end of the lane of crates – lighting the creates in the background, and one light through an umbrella on the person to photograph.  Easy setup that works well – and fast!

But then it happened, when after the shoot was finished, he presented me with the very same piece of grape fruit he was holding during the photo shoot.

Portrait photography - what do photographers earn?

Portrait photography - what do photographers earn?

So, when you pose that question about houw much photographers do earn, remember that it can be anything from cold cash, through respect, credits and sometimes …. grapefruit.

Portret fotograaf – Leuven

om 13:59 door Jürgen geplaatst in de categorie Commercial,Flashlight,Portrait
Portret foto - keuze van de fotograaf.

Portret foto - keuze van de fotograaf.

Als portretfotograaf heb ik zo mijn eigen gedachten ….

Een portret maken op een eerder druilerige regendag, ‘t is niet iets waar veel fotografen op zitten te wachten.

Ik anders wel. Niets zo eenvoudig als je belichting te regelen op een dag waar de zon je geen parten speelt.

Zo verging het me ook bij de portretsessie van een prof aan het “sportkot” van de KUL. Grijze lucht, geen zon, fris windje en enkel een atletiekpiste om iets mee te doen. Verder waren aanwezig: 2 Nikon Speedlights van het SB900 type, een paar CTO kleurenfilters, een koppel pocket wizards, een 85mm tilt-shift lens, een Nikon D3s en nog wat attributen als daar zijn staanders, fototas, hoodman loupe, etc …..

De rest is geschiedenis.

Hieronder mijn favoriete beeld in de reeks ….

In de layout van het tijdschrift paste deze beter (+ het is meer close-up).

Portret fotografie, beeld dat uiteindelijk in publicatie verschenen is.

Portret fotografie, beeld dat uiteindelijk in publicatie verschenen is.

Portrait photography

8 April 2010 om 15:19 door Jürgen geplaatst in de categorie Commercial,Flashlight,Portrait

As a portrait photographer it’s an honour to photograph the portrait of the editor in chief of a magazine.  I had already spoken several times with Lieve over the phone when she comissioned me to photograph for her magazine, OKRA.  But this time it was different, when Lieve asked me to take her portrait for the “edito” of the magazine.

We met at the offices of OKRA, where we choose a location for the imatges to be taken.  I set up 3 flashlights (type Nikon SB900, triggered with a an SB800 via the Nikon CLS system).  One is lighting Lieve through an umbrella, one is a backlight, separating Lieve from the background, which is lit by a third strobe.  This is the resulting photograph:

Portrait photography with the help of 3 portable strobes.

Portrait photography with the help of 3 portable strobes.

By changing the angle from which we photographed Lieve by 90°, I was able to quickly change the look and feel of the image.  The next image is only lit by 2 strobes.

Portrait photography for magazine.

Eventually the image ended up in the magazine in the editorial section, where it will probably find its home for the next few years to come …

Editorial of OKRA magazine with the portrait of Lieve.

Editorial of OKRA magazine with the portrait of Lieve.

Als fotograaf met een speciale affiniteit met portretfotografie is het altijd een hele eer om een portretfoto te mogen maken voor het editoriaal van een tijdschrift. Dergelijke foto wordt niet één, niet twee, maar meerdere keren gebruikt op de eerste binnenbladzijde van een tijdschrift. Daarom vind ik het altijd wel een eer om dit te mogen fotograferen.

Zo ook met Lieve die aan het hoofd staat van de redactie van OKRA. We hadden elkaar al regelmatig gesproken aan de telefoon, waarbij ze me altijd “op pad” stuurde om foto’s te maken, maar deze keer was het om van Lieve zelf een portretfoto te maken.

Het eerste beeld werd gemaakt in de kantoren van OKRA (ergens in een ruimte waar je even kan “ontspannen”). Een driepuntsbelichting zorgde ervoor dat Lieve enerzijds zacht licht langs voren kreeg (door een paraplu), een “haarlichtje” die haar rechterschouder (links voor ons) doet oplichten en haar zo wat van de achtergrond doet loskomen, dat op zijn beurt het licht van een derde flits over zich krijgt.

Om wat variatie te krijgen in de opnamen draaiden we Lieve 90° en gebruikten we een tweepuntsbelichting, wat resulteerde in de tweede foto.  Het uiteindelijke resultaat, het edito met Lieve’s portret, vind je als laatste foto.

Nikon D3x – a closer look

29 March 2010 om 11:38 door Jürgen geplaatst in de categorie Camera,Flashlight,kids,Portrait

In my previous post I published 2 photographs of my kids, to celebrate the arrival of my Nikon D3x.  But it is indeed impossible to assess the quality of a camera and/or lens on a tiny image in a blog post.  Therefore, I’m herewith posting a 100% zoom of a detail of Myrte’s head.

The image is photographed with a 85mm Tilt/Shift lens, so it’s manual focus.  Although I probably would have wanted the eyes to be a little sharper, I think it’s still pretty acceptable considering we’re looking at an image at 100% magnification (which comes down to roughly the size of an A2 for the intire image).

Nonetheless, look at the sharpness and crispness of the image, especially Myrte’s hair and eyebrows.  I also don’t notice any color fringing at the edges (also thanks to the great lens used).

100% crop of Myrte's headshot, by Nikon D3x

100% crop of Myrte's headshot, by Nikon D3x

Needless to say I’m happy with the results and I’m looking forward to the journey with my D3x.

Nikon D3x

25 March 2010 om 15:38 door Jürgen geplaatst in de categorie Camera,Commercial,Portrait

This post is to celebrate the arrival of my newest digital camera, the Nikon D3x.

After having photographed the last 2 years with a Nikon D3 camera – much to my satisfaction – I purchased its successor – the Nikon D3s – in December 2009.  The Nikon D3s has the same amount of pixels – 12 Mpix – as the D3, but performs even better in low-light situations than the Nikon D3.  Since I’m a versatile photographer, encountering many lighting conditions and having to shoot under extreme circumstances, the upgrade from D3 to D3s makes perfect sence.  In addition to these features, the Nikon D3s also has a sensor cleaning mechanism, which keeps your sensor fairly dust-free and it also boosts an HD video mode.

As a professional freelance photographer, based in Belgium (near Brussels), 12Mpix sometimes isn’t enough for the clients’ needs.  Although fantastically big prints have been made with files created by my Nikon D3 and Nikon D3s sometimes you just want some extra “air to breathe” ….

With the arrival of the Nikon D3x, I have complemented my lineup with a fantastic camera that is specifically designed for the demanding and versatile photographer who wants some extra “umpf” out of his digital files.  The Nikon D3x offers 24.5 Mpix, creating 27Mbyte RAW files (uncompressed, 14 bit) with an amazing range and tonality of colours and with a sharpness that is unheard of for DSLR’s.

In order to take the Nikon D3x for a test-drive, I dedicated my first shoot with my newly acquiered camera to my kids, Myrte and Johannes.  I took them outside for a quick portret shoot.  They were lit by 3 Nikon SB900 speedlights, one of which was softened through an eazy light softbox.  The two other flashes were aimed straight at them without any diffusion.  The images were post-processed in Lightroom2.  The shots were photographed in daylight, ISO100, 1/250, f/12 with a 85mm perspective control lens (Tilt/Shift lens).

Johannes during the Nikon D3x portrait session

Johannes during the Nikon D3x portrait session

Myrte during the D3x portret session

Myrte during the D3x portret session

Architectural photography

23 March 2010 om 10:18 door Jürgen geplaatst in de categorie Architecture,Commercial

It shouldn’t be a big surprise that a construction engineer-turned-photographer is still in love with building and architecture.  Indeed, one of my main interests in photography lies in architectural photography.  I can always enjoy good architectural photography and I strive to, when I’m photographing buildings and architecture, seek interesting angles, compostions and colors.

One of my clients designs brochures for Philips Lighting and upon completion of a project, I’m comissioned to photograph the building with the integrated lighting.

When the new building for Mercedes in Brussels was finished, I had to photograph the interior of the building, which needed to show its lighting.  It finally ended up in print as follows.

Architectural photography - Mercedes building in Brussels

Architectural photography - Mercedes building in Brussels

Architectural photography - Mercedes Belgium/Brussels

Architectural photography - Mercedes Belgium/Brussels

Photography and pregnancy, a match made in heaven!

22 March 2010 om 12:00 door Jürgen geplaatst in de categorie Flashlight,Portrait,Studio

As a photographer, one of the most beautiful things to photograph is a pregnant womam.  Woman in itself are already beautiful (man too, but that’s a different story alltogether), but a pregnant woman is a pleasure to photograph and to look at.  Most of the times, when pregnancy goes well, these woman are so proud of their little bundle of joy inside their body, that they come accross on photographs in a self-confident way.

It wasn’t any different with this lady, who I photographed in her own house.  Photographing a belly on location, that is in the comfort and cosyness of someone’s own house, holds many advantages.  The pregnant lady doesn’t have to move herself towards a photo studio, but she can stay in a well-known environment, which ultimately helps to gain even more confidence to pose for photographs.  In order to explore the through possibilities of pregnancy photography, often people want photographs of the naked body (which, indeed, shows the changing outlines of the body very well). But as you will see in the photographs below, it doesn’t always have to be naked.

With the help of a black background, which I brought along, and a few of-camera reportage flashes (type Nikon SB900) I created different images.  In order to respect the privacy of everyone involved, I can only show a few images, but they serve to prove my point.  Woman are beautiful, pregnant woman are stunning!

Beautiful shape of a lady's torso.

Beautiful shape of a lady's torso.

Outline of the beautifully shaped belly

Outline of the beautifully shaped belly

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